The AI revolution is happening right now and might have enormous disruptive effects on human culture, visual perception, and society altogether. UNESCO Assistant Director-General for Culture UNESCO AI discussion – is this the revolution of our time? Cristóbal Valenzuela/ Chile (online participation)Ĭo-founder and CEO at Runway, an applied AI research companyĤ:50pm Conclusions and closing remarks by Mr. ![]() International legal expert in intellectual property, data and ethics Yvonne Muinde/ Kenya (online participation) International Affiliation of Writers Guilds SecretariatĪward-winning screenwriter, director, musician, authorįormer Minister of Culture of Spain, Vice president of CISAC, award-winning screenwriter, film director National Executive Director and Chief Negotiator – Screen Actors Guild‐American Federation of Television and Radio Artists (SAG-AFTRA)ĭirector of the Instructional Media Centre at Maulana Azad National Urdu University (MANUU) Duncan Crabtree-Ireland / USA (online participation) If you are interested in what may just be a pivotal point in the industry (and history itself), dive into the full recorded discussion above, or into one of our related articles.ģ:00 pm Introduction by moderator Ms. Valériane Gauthier , TV host, France 24ģ:05 pm Keynote by Mr. This is merely the dawn of AI, and many things must be figured out, but it could be revolutionary. It may create a brand-new form of artistic medium (although based on existing text, footage, and imagery). Valenzuela compares this singular point to the invention of the camera. AI technologies granted relatively small studios and companies the ability to compete against the old studios. ![]() Democratization of storytelling toolsĬristóbal Valenzuela, co-founder and CEO at Runway, an applied AI research, addressed the issue of democratization. The critical thing is to retain identity, authenticate the actual creative work, and attribute it to the writer. According to Nichol, AI could very easily approximate a piece, a style, etc. But there’s one thing AI does not have, and could never obtain – “the symbolic halo generated by objects of special significance that is both powerful and indefinite.” ( Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction). That form of action is based on human knowledge and creativity, and as such requires protection. Nichol claimed that AI needs no more than a nod in a certain direction, and it will complete extremely complicated assignments all by itself. AI has agencyĪ politically charged statement was given by Joseph McGinty Nichol (AKA McG), an American producer and director of several blockbuster films and TV series. Sarah Dearing, International Affiliation of Writers Guilds Secretariat, also expressed her concern about devaluing creative labor. Gondry also warned against the exploitation of such tools in the hands of studio owners, which would cut writers’ positions and salaries, and he recommended regulation and unions. He addressed AI as a powerful tool that may ease or speed work, democratizing it in the process. Gondry, the director of Academy Award winner, “ Eternal Sunshine of a Spotless Mind” said he believes that AI is not a replication of human intelligence developed over millions of years. I find it difficult to speak about “intelligence” when we speak about AI. In his final point, Crabtree-Ireland emphasized the importance of a broad-spectrum discussion, not only about AI but about the corporate greed-based system as a whole. Crabtree-Ireland pointed out that AI may be a tool to slash salaries and reduce the workforce, but it can also be used in other ways, which will require law-making and regulations. ![]() The AI world is now held by a handful of corporations and billionaires who are rewarded for increasing material profits, not for creating and improving the well-being of the masses. The creative community will be the one charting the course between breakthroughs and disruption, exploitation and discoveries. ![]() Crabtree-Ireland pointed out the pioneering position of the film industry in what he described as a pivotal point in human history. He expressed his excitement about new opportunities and his concerns about abuse and malpractice. Duncan Crabtree-Ireland, SAG-AFTRA National Executive Director and Chief Negotiator, addressed issues regarding actors and acting in an AI-enabled industry. The long and interesting discussion at UNESCO’s AI conference encompassed various subjects and dilemmas. keyboard_arrow_rightCameras of the Year.keyboard_arrow_rightGear Guides by Budget.keyboard_arrow_rightGear Guides by Type.
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